Another major change is the inclusion of a Voice Dispersion panel that allows you to program the amounts by which various characteristics of each voice differ from those of the others. Additions include simultaneous triangle and sawtooth waves, PWM/MIDI sync, the LFO and aftertouch directed to pan, an extended selection of Tone Selectors that more closely model the original synth, plus additional LFO parameters and an improved arpeggiator. In With The Old.ĬS‑80 V4 looks fresher and brighter than its predecessors and includes several changes to the facilities previously offered. Consequently, there’s no way to review all of the Collection in anything short of a book, so I’ll concentrate on its major updates and new synths, starting with four heavily revised instruments. make that 33 instruments if you include Analog Lab V, which provides a simpler way to access the sounds of every instrument and build duo‑timbral mixes of any two of them. But Arturia seem to have an endless appetite for creating soft thingies, and V Collection 9 now includes 32 software instruments, some new, some revised and others as before, plus a library of 14,000 sounds. By 2020, the Collection had reached version 8 and comprised no fewer than 28 instruments including emulations of vintage analogue synths, digital synths and samplers, acoustic and electric pianos, organs, a string synth, and even the Mellotron. Following this, the company didn’t revisit the concept until 2010 when the renamed V Collection 2 was launched, adding the Jup‑8 V and Prophet V to the previous offering. The results in Augmented Voices are a little less compelling if you ask me, but it’s still great to see Arturia try something new and bring something other than emulations of vintage synths to the V Collection.Arturia’s mighty V Collection continues to grow and improve.Īrturia’s V Collection was presaged in 2005 when the company took four soft synths - the ARP 2600 V, CS‑80 V, Minimoog V and Modular V - and bundled them together for a limited period into a single purchase called the Vintage Collection Pack. Choirs and soloists get processed and smashed up against various synth engines to create everything from ‘80s-inflected synthpop arpeggios to guttural wails for your next Hans Zimmer tribute. The twist is that, instead of using string and orchestral sound, Augmented Voices uses, well, voices. If your whole thing is cinematic sound design, the Augmented series will probably pique your interest.Īugmented Voices follows the same basic formula as Strings: Combine four layers (two sample and two synth) to create unique blends of acoustic and artificial textures. You can swap in samples or synth engines, dial in separate envelopes for each of the four layers, and choose whatever effects you want. The core UI and sounds are all the same, but the addition of an Advanced tab give you complete control over the instrument. But the one included in the V Collection is far more robust. We already got a taste of Strings a few weeks ago when Arturia launched the Intro version for free. The biggest additions to the family, though, are definitely the Augmented Voices and Augmented Strings.
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